It's hard to believe that the second Friday of A Christmas Carol was a week ago tonight. The show went fast, and the time after the show has gone rather fast as well. (The holidays I am sure contribute to this sensation in this case.)
I mention in a few previous entries that the end of A Christmas Carol did not spell the end of my work at Full Circle Theater Company this year. Tomorrow I begin my next adventure there; I will be the assistant-director for a February production of Sean O'Leary's Claudie Hukill.
It should be an interesting and rewarding experience. Auditions were a week ago, and the director has chosen the cast, and contacted same. We have our first read-through tomorrow.
However, I have decided that I will not be posting regular updates about the experience here on Always Off Book.
I went back and forth no it all week, and I said I would do so. I came close to deciding to post about it as I do any of the shows I have been in. I have also previously written about my experience as a director for a one act several years ago. But I decided against doing so this time because as an assistant-director, I am neither a member of the cast, having experiences of the actor, as I usually write about. And nor am I shaping the production myself as director. I have no doubt that I will have influence over the process, as the director has told me so. I may even have to fill in any given day as Acting-Director of a rehearsal, should the director not be able to attend. But in general, my position in this play is, as the name suggests, assistant, and as such I determined it would not be wholly appropriate for me to post thoughts and impressions about rehearsal specifics.
That isn't to say I won't ever be making mention of the upcoming experience. I certainly shall be, when I feel it will fit in well with my goals of sharing knowledge about the theatre. Specifically acting. For any actor that finds himself as a director or assistant-director ought to be able to learn something about acting, as much as they learn something about directing. If not, something is missing. I don't intend to allow that element to be missing.
So my next theatre project will not remain a mystery to you, loyal blog readers. It will simply be less regularly discussed. I can't promise I will never change my mind about that, but for now, I will confine most of the documentation about being the assistant-director of this show to my private production journal.
Yet still check back often, as I hope to start once again posting more advice on acting and links to other theatre related things as we head towards the New Year and beyond.