So we ran the entire show last night. The plan was to do so without interruption for the first time. Yet too many things remained unclear for that to be possible. Several stops in the action were in fact needed to clarify some things. (I myself needed to do it at the very beginning, as I still didn't have the opening correct. I believe I do now, however.) There were also sound cue issues and a few other things that required repeating sections of scenes after all.
Yet we did go through everything, in costume, on the stage. (Except for the singing, because the singer was not there, though the "band" did play the instrumentals of each song.) Plays themselves take up about an hour and 20 minutes total, with a 15 minute intermission. With the songs added the show will run about an hour and a half or so. I know it seems much longer than that when we perform it, but that could be because I hardly appear in Act One. Act Two is much faster than Act One is, though.
The rehearsal itself was still rough in places, especially, as I said, in regards to sound cues. Performances themselves are rather sharp at this point, I think, but they can be easily thrown off by a jumped, missed, or mistaken sound cue. I would have preferred to have had more than two separate rehearsals working on such technical aspects for that reason. Yet it is what it is now.
I did hit a bit of a stride with my background performing last night in Act One. (During which I am the mostly silent stage manager.) I have a quasi-system in regards to pushing buttons on the fake control board which, though in all likelihood technically nonsensical does provide a consistent performance. If I may say so myself. In the very least I feel that I appear to be responding to what is happening on stage when I flip buttons and such.
The cigarette smoking has also become quite natural at this point. And it goes well with the outfit I am wearing. (White shirt, black pants, bow tie, shoes and suspenders.) The stage manager is a laid back sort for the most part. I have rather enjoyed creating and portraying him. I hope to add a little more depth and nuance tonight, and if not night, during the performances. Sometimes the little things don't show up until one is actually in front of the audience. The subtleties that make an already good performance even deeper. It is the sort of thing on which I pride myself when I can pull it off. To be honest, I don't think this guy needs that much more. I think I already establish rather nicely what he is doing, and the attitude with which he does it. Yet if I can come up with just one more little brush stroke, I will be all the more satisfied. I will think on it.
Some anachronisms which I find a bit jarring in places have made their way into the production. Especially considering that I was asked to not use my binder for my script due to it not being period. If the entire shoe were to have remained period, I wouldn't have minded as much. But when modern piano music and other contemporary references are slipped in, I feel a binder would not have been too much of a jump to make. Certainly no more distracting than some of the other modern concessions. Not that it ruins the entire show or anything. Just a personal preference on my own part.
The Edgar Allen Poe story felt better to me last night, though the director thinks it needs to slow down quite a bit. I suppose I and the others in it will make that effort tonight.
The comedy/fantasy, sadly, was interrupted more than once to fix things. That is the one skit that I was most looking forward to doing from start to finish, because I think that one relies to a great degree on the momentum of the performances. (Mine in particular, only because I have the largest role.) Hopefully tonight it will happen without interruption, but I am prepared for the possibility of course that it will not.
One rehearsal remaining.